This study examines four novels by Marcio Veloz Maggiolo. It reveals the fundamental sources used in these novels in constructing the concept of the 'historical imagination'. The traditional concept of 'official history' is rejected and gives rise to an eclectic view of the past that embraces scientific and philosophical knowledge, the voices of the marginalized 'other', folkloric manifestations, and the imaginative reflections of the characters and narrators. Memory functions as a means to approach the past and/or as a rhetoric that is connected to.
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